Designing a Digital Portfolio
The world has gone digital–which means that a paper portfolio is no longer good enough. These days, as a creative professional, you’re expected to be able to show your work on demand–whether that means emailing it to a client, displaying it on a Web site, or delivering it on CD or DVD. This book shows you how. Using a combination of step-by-step instructions and inspiring examples, veteran author Cynthia Baron takes you through the entire process of designing a digital portfolio–from developing a concept and choosing a medium, to scanning work created with traditional materials; optimizing digitized art; repurposing digital material; creating a portfolio Web site, CD, or DVD; producing a portable portfolio; and avoiding technical pitfalls when digitizing, organizing, and delivering the final product. You’ll also find loads of insights from the professionals who evaluate artist portfolios everyday–agency heads, art directors, and designers–plus handy checklists, a run-down of dos and don’ts, case studies, and tips.
It isn’t easy finding a job these days and for those working in the creative fields like graphic design, illustration, photography, filmmaking, and music, a digital portfolio is just the shiny object you need to catch the attention of a prospective employer. But you can’t just slap a few files on a CD and call it a night. As Cynthia Baron points out in Designing a Digital Portfolio–a thorough guide to digital portfolios–your first impression is critical and good preparation will pay off.
The books begins with soul-searching: what work are you hoping to get, who’s your audience, what style of presentation should you choose, and what technology–Zip, CD, DVD? Effective portfolios from various fields are analyzed, for example, one for an industrial designer or a flash animation artist. If you happen to do both or are otherwise a jack-of-all-trades, Baron outlines your strategy for targeting your audience and deciding how to focus your presentation.
There’re several great chapters on prepping your work, collecting it (do you have your process materials, like pencil sketches?), digitizing the non-digital and cleaning it up (like stitching together scans or effective cropping), nitty-gritty items like optimizing and encoding (crucial if you don’t want your future boss frustrated by large files), and dealing with that neglected cousin of the visually creative: good written content.
Next, the book considers delivery (for example, Web versus a portable portfolio on CD or DVD), a presentation metaphor (for example, gallery or diary), and the navigational master plan. The chapter on copyrights and attribution are worth the cover price alone. (For example, do you know who owns the artwork you just created for that latest brochure? Do you know how to present a large project on which you worked as part of a team?)
Throughout the book, Baron profiles some stellar examples of digital portfolios, most of which are viewable online, for example, illustrator Michael Bartalos’s Web site at bartalos.com. And the appendices offer even more resources to help and inspire you. –Angelynn Grant
User Ratings and Reviews
4 Stars Great beginners guide
This handbook is targeted at beginners in designing portfolios to submit their artwork or photos when job hunting. It is filled with information, however most is very basic and will only be a review for most readers.
5 Stars Superb resource for a wide variety of portfolio formats
If you set can aside the near 100% focus on digital media (though it is excellent for that kind of format) and not hyperventilate in feeling like you need to come up with Flash or DVDs after reading this, it offers solid points on portfolio content, whatever format you choose.
It covers what should go in, what should not go in, how much should go in, how/if to deal with process pieces, storyboarding,
thematic ties to pull a disparate portfolio together, and sage advice on basics like the kinds of written copy you want to include, such as design briefs, problem statements, and tag lines. It’s my favorite book for this effort right now. My husband’s, too. I have to pry it off his desk.
It’s also savvy when it comes to marketing, so I think it will have a long shelf life in my library for the days when I need to market myself on other things besides landing a job, like marketing my firm.
It has some printed web site design examples which offer visual eye inspiration for printed page layout. It even has great image workflow tips, towards preserving the best image quality with the least needed resolution, that are comprehensible to the lay person as well as meaningful to someone with a high degree of digital photographic processing background.
3 Stars Good for designers
I found this book to be helpful but to be a bit to much for me. It was a bit technical and has a lot of jargon in it for me. This would be a great book for someone that has a bit more digital design experience than me. It really tells you how to create great portfolios, but unfortunately I wasn’t able to do all the technical stuff.
I would recommend this book for someone that’s familiar with web design, especially flash. Great tips if you want to create websites professionally.
5 Stars Comprehensive
I read through this book once, just to get an overall feel. I was totally delighted with the quality and the depth of material. I’ve read many books on portfolios and many more on website design, but all of them together couldn’t do what this one book did. I was finally ready to create my portfolio (months later) and prepared to go through it again making detailed notes when, to my deep consernation, the darn thing went missing.
So I just bought another one, started skimming through it and then reading it carefully, making notes. I am again wowed by the sheer amount of information pertinent to what I am trying to do. From detailing what types of pieces make sense for which type of designer (and even helping you figure out which type you really are), to resumes, to how to present yourself and your material, to desiging the site, it’s all in there.
Along the way, she sprinkles comments from some of the greats in the field on what they expect. On top of that, there are so many great examples of sites in the book, that it can serve simply as a top notch idea book when you’re done building your portfolio.
I can’t say enough about how helpful this book has been. Every few sentences, I get a great idea and have to go work on it, so it will take me a while to get all the way through the book a second time. But I know I’ll have something that really represents me and what I do best, and what I want to continue doing.
5 Stars comprehensive material.
Most artists can’t do everything - usually they are somewhere in the middle of a chain of production responsiblities that don’t include the skillsets involved with presenting a portfolio, digital or otherwise. Many points of insider knowledge are invaluable - I was on the cusp of using PowerPoint for my CD portfolio (my wife has strong skills with this) before being warned that this bussiness presentation software’s would be viewed with derision by art directors, and that a high resolution version of a website format is the way to go here - this one parcel of knowledge was worth the price of the book alone, but it is far from the only lesson imparted. Highly recommended - it doesn’t stray into realms of esoterica for the sake of pagecount.
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